CAC ARTS NEWS No. 193
07/06/05
Editor's Note:
Greetings,
There
is honestly nothing to editorialize about this week. It was a great 4th of July
and the art scene is the same as ever, the sun is in the sky and good things
are in the works. So have a nice day!
Our
daughter who lives in England sent us a magazine clipping by a British couple
that went on about Americans after visiting the Boulder Pearl Street mall. They
were so taken by all of us who smile so much and great each other with
"have a good one" or "have a nice day"! (even on a rainy
day) They thought it was great. If we can find how to export our positive
attitude rather than our politics, maybe the world will be a better place
someday. (Ok, so I editorialized - sue me!)
Take
care!
Paul
Saunders
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AND NOW FOR SOME GREAT COLORADO ARTS NEWS
All Aboard! Traveling Art Museum is
Heading West in 2006
Invite
Artrain USA to Your Town
Ann
Arbor, MI Artrain USA, the
art exhibition housed on train cars, is heading West in 2006 to visit communities
in the Pacific Northwest, West Coast and the Western States and is available
for bookings from February to November 2006. Artrain USA is an art and
community building program that has been hosted by arts organizations, cities,
museums, chambers of commerce, and service organizations that want to build
community capacities while bringing exceptional art programs to their
communities.
In
order to have Artrain USA visit, local communities should have the following:
A
desire to host the Artrain:
* 450'
of track to park a train on
*
An organization to serve as the "host"
The
anticipated tour states include:
á
Arizona
á
California
á
Colorado
á
Idaho
á
Montana
á
Nevada
á
New Mexico
á
Oregon
á
Texas
á
Utah
á
Washington
á
Wyoming
Artrain
USA is "America's Hometown Art Museum." A nonprofit organization,
Artrain is an art museum housed in vintage rail cars that travels via the
nation's railroads. More than 3 million people have visited Artrain USA during
800 community visits across 45 states. Founded in Michigan in 1971 by the
Michigan Council for the Arts Artrain USA's national headquarters are in Ann
Arbor, MI.
Native
Views is a contemporary Native
American art exhibition comprised of 71 artworks by 54 Native American
artists. It explores the influence of popular culture and the many
commonalties shared by all Americans. Visitors discover the richness,
complexity and breadth of contemporary Native American art while examining
varying perspectives on society.
Native Views is touring America
- coast to coast - from April 2004 through December 2007.
For
more information please call 800-ART-1971, e-mail ArtrainUSA.org or visit our
website at www.ArtrainUSA.org
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BOULDER
MAGAZINE EVENT LISTING DEADLINE:
July 11, 2005
Hello! Boulder Magazine is currently collecting event information for
its fall issue. The fall issue will be on the streets Labor Day weekend and
will reach more than 225,000 readers, both locals and tourists.
Boulder
Magazine is delighted to publish
local event listings FOR FREE!
Please e-mail your fall (Labor Day weekend through Thanksgiving) event
information to events@brockpub.com NO LATER
THAN July 11, 2005. The sooner
you can send in your listing, the better.
Please
do NOT send press releases. Instead, take a few moments to put the event
information into the following format:
¥
Event title
¥
100-word description (required)
¥
Date(s), time(s) and location(s), including street address
and city
¥
Contact phone number (for tickets or general information for
the public)
¥
Website address
PHOTOS:
You're welcome to send photos. They must be color photos suitable for
publication at 300 dpi or better at 4 by 6 inches. We're always looking for
dynamic images that readers will have not seen elsewhere.
SUBMISSION
DEADLINE: JULY 11, 2005. We
cannot guarantee publication of events sent after this date. (Tip: PUT THIS
DATE ON YOUR CALENDAR NOW!) Please send us your basic event information even if
all the details are not set by the deadline; readers can phone you or check your
website for updates. If you expect your info to change before July 11, please
DON'T send us multiple e-mails with bits and pieces of information, but hold
off and send a single e-mail closer to the deadline.
Send your information to events@brockpub.com. Although we prefer e-mail, you may send
something via snail mail to:
Boulder Magazine Events
1919 14th Street, Suite 709
Boulder, CO 80302
Thanks, and we look forward to working
with you!
Julie Kailus
Associate Editor, Boulder Magazine
Angela Bowman
Events Coordinator, Boulder Magazine
P.S. If you know of other organizations that would like to publicize
their events, we hope you'll forward this letter to them.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Boulder County Arts Alliance
Providing
leadership, resources, and advocacy for the arts
Community
Opportunities Bulletin - Updated 6/30//2005
SUBMITTING
BULLETIN ITEMS:
We have implemented a new web-based
submission form for receiving bulletins for this list. Please visit www.bouldercountyarts.org/eventsform.htm
to submit your bulletin items starting now. Please email events@bouldercountyarts.org
if you have any questions about using the form.
SUBSCRIBING
AND UN-SUBSCRIBING:
Please feel free to forward this
calendar to your friends. To subscribe to our various email lists and/our snail
mail newsletter, please visit www.bouldercountyarts.org/artsbeat.htm.
To unsubscribe, send an email to events@bouldercountyarts.org
with the word UNSUBSCRIBE in the subject line.
BCAA
Membership Information:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TICKETS
& INFORMATION
Daniels
Hall | Tuft Theater | The CafŽ
303.777.1003 | www.swallowhill.com
71 East Yale Ave. Denver, CO 80210
CONTACT:
R.J.
Betancourt
303.765.2488
Swallow
Hill Music Association Presents
July 11 to August 7
Highlights: Shady Grove
Picnic Concert Series (6/1 - 8/3) | Summer Music Competitions
[Singer/Songwriters' Preliminaries](7/28) | Austin Lounge Lizards
(7/15) | O'Carolan Day
(7/16) | Jimmy Hopps (7/23)
Week
of July 11 to 17
Bluegrass Jam | Tuesday, July 12, 7 p.m.
Swallow Hill CafŽ
TXS: $1 at the door
Patrick Cherry hosts a high-energy
Bluegrass jam session for experienced and intermediate players alike. Beginners
also welcome. Co-sponsored by Colorado Bluegrass Music Society. Open to all.
Shawn
Waggoner & The Tumblyweeds @ The Shady Grove Picnic Series | Wednesday, July 13, 6:30 p.m.
Four Mile Historic Park
TXS: $7 at the door; $2 for children
under 12
Through poetic storytelling and
songwriting, unique arrangements and powerful vocal interpretations, Shawn
Waggoner and the Tumblyweeds make their mark on the alternative folk genre. In
partnership with David Farrell on bowed acoustic bass, and Woody Myers on
guitar and mandolin, Waggoner presents a collection of songs that is
unforgettable and undeniably unique.
More info: http://events.swallowhill.com/eventperformances.asp?evt=652&c=40&pg=
Open Stage | Thursday, July 14, 7 p.m.
Swallow Hill CafŽ
TXS: $1 at the door
Got a song you've just got to share?
Come play at our open stage. Sign-ups are at 6:30. Sets are 2-3 songs,
depending on the number of players performing. Hosted by Ed McIlvain.
Austin
Lounge Lizards | Friday,
July 15, 8 p.m.
Daniels Hall @ Swallow Hill
TXS: $15 in advance; $18 day of show
The Austin Lounge Lizards have delighted
audiences from Texas to California, from Canada to the U.K., with their
inventive style of satirical folk, country and bluegrass. Based in Austin,
Texas, since they formed in 1980, the Lizards have honed their music into a
knife-sharp art form. Trademarks of a Lizards song are highly literate, sharply
pointed lyrics that poke fun at
politics, love, religion and the culture in general.
More info: http://events.swallowhill.com/eventperformances.asp?evt=655&c=39&pg=
O'Carolan
Day | Saturday, July
16, 8 p.m.
Daniels Hall @ Swallow Hill
TXS: $15 in advance; $18 day of show
Join us for a celebration of the life
and music of Turlough OÕCarolan. Turlough OÕCarolan, or Toirdhealbhach î
Cearbhall‡in (in the original Irish) remains one if IrelandÕs most beloved
musical figures. Born in 1670, he became a harpist after smallpox left him
blind. Touring the country as an itinerant bard, he was exposed to Baroque
music in the great manor houses in which he performed, giving his music a
unique blend of both traditional and classical elements. He is one of the few
musicians of his era whose music survives to the modern day.
More info: http://www.swallowhill.com/music_school/classes/class773.html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BENEFIT
FOR ROCKY RIDGE MUSIC CENTER JULY 13 IN BOULDER
Dear
Friends,
Attached is an announcement of a fine
string quartet concert to take place
next
week, Wed. July 13th at Old Main on the CU campus. It is being presented by
and for the benefit of Rocky Ridge Music
Center in Estes Park. The quartet,
which comes from Juilliard, is in
residence at Rocky Ridge for three weeks
this month and will be giving other
concerts on campus during their stay
there. We hope that you will want to
make the musical acquaintance of this
young group and join us for this great
program!
Thank you.
Margot Brauchli,
Trustee, Rocky Ridge Music Center
www.rockyridge.org
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Contact: Amanda Mountain
719-262-3114
SOMETHING
WICKED
THIS
WAY COMES!
"By
the pricking of my thumbs
Something wicked this way comes"
ShakespeareÕs MACBETHÑhis thrilling tragedy of
ambition and the supernaturalÑwill inaugurate the 30th anniversary season of
THEATREWORKS this summer. The production will open in Lone Tree July
28-July 31 before continuing to Salida (August 4-6) and Holyoke (August 12-13),
and then coming home to Colorado Springs. The show will run in the Dusty
Loo Bon Vivant Theater located at 3955 Cragwood Drive (near the corner of Union
and Austin Bluffs) August 19 thru September 4 with shows Wednesday-Saturday at
7:30pm, Saturday Matinees at 2pm, and Sundays at 4pm. General admission
tickets are FREE on a first come first serve basis. Reserved seats are
$22-$25. Parking is free beginning at 5pm. Call 719-262-3232 for
more information, or log on to www.uccstheatreworks.com.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AMERICANS
FOR THE ARTS MONTHLY WIRE
June 2005
To view this newsletter in your web
browser, go to:
http://newsmanager.commpartners.com/a4amwire/issues/2005-06-24.html
==========================================================
==========================================================
NEWS YOU CAN USE
2005 AMERICANS FOR THE ARTS CALENDAR
202.371.2830.
E-mail: events@artsusa.org
[events@artsusa.org]. www.AmericansForTheArts.org
[http://www.AmericansForTheArts.org]
ADD AMERICANS FOR THE ARTS TO YOUR
WEBSITE
http://ww3.americansforthearts.org/get_involved/membership/professional_membership/web_sticker.asp
[http://ww3.americansforthearts.org/get_involved/membership/professional_membership/web_sticker.asp]
Let
everyone know that you are a member of Americans for the Arts by downloading
our new membership logo and link for your website.
AMERICANS
FOR THE ARTS ADVOCATES FOR NONPROFIT TAX REFORM
http://ww3.artsusa.org/pdf/get_involved/advocacy/santorum_letter_finance.pdf
[http://ww3.artsusa.org/pdf/get_involved/advocacy/santorum_letter_finance.pdf]
http://ww3.artsusa.org/pdf/get_involved/advocacy/grassley_baucus_letter.pdf
[http://ww3.artsusa.org/pdf/get_involved/advocacy/grassley_baucus_letter.pdf]
Americans for the Arts President &
CEO Bob Lynch sent a letter to the leadership of the Senate Finance Committee
staking out positions on a number of issues relating to possible changes in the
law affecting nonprofit arts organizations. The letter advocates for preserving
the fair market value tax deduction for charitable gifts and advocates against
proposals to restrict the size of charitable boards, among other things. The
letter went to Finance Committee Chairman Charles Grassley (R-IA) and Ranking
Member Max Baucus (D-MT). Also on the tax front, a group of Senators sent a
letter to Sens. Grassley and Baucus urging caution in dealing with nonprofit reform.
That letter was authored by Sen. Rick Santorum (R-PA), who was joined by Sen.
Joe Lieberman (D-CT) and 20 Republican Senators. Finally, on June 22, 2005,
Independent Sector issued detailed recommendations to Congress
(www.nonprofitpanel.org
[http://www.nonprofitpanel.org]
).
NEW
POLL REVEALS 93 PERCENT OF AMERICANS BELIEVE THAT THE ARTS ARE VITAL TO
PROVIDING A WELL-ROUNDED EDUCATION
www.artsusa.org/public_awareness/campaign_info/press_release_06_13_2005.asp
[http://www.artsusa.org/public_awareness/campaign_info/press_release_06_13_2005.asp]
A new Harris Poll released on June 13,
2005, on the attitudes of Americans toward arts education revealed that 93
percent of Americans agree that the arts are vital to providing a well-rounded
education for children. Additionally, 54 percent rated the importance of arts
education a "10" on a scale of one to 10. The telephone survey was
conducted as part of an ongoing public service campaign-Art. Ask for
More.-developed by Americans for the Arts, the Ad Council, and the Austin-based
advertising agency GSD&M. The results of the survey were announced by Peggy
Conlon, President & CEO of the Ad Council, during her keynote address at
the annual convention of Americans for the Arts in Austin, TX.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Visit
the Web site <http://flesherhintonarts.org/> for issues of CAC Arts
News
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
COLORADO ARTS CONSORTIUM
http://www.coloradoartsconsortium.org
The Colorado Arts Consortium helps to build community by
strengthening the arts nonprofit sector and linking the arts nonprofit,
business, philanthropic and public sectors. CAC accomplishes its mission
through education, advocacy, leadership development, training and building
alliance.
This
e-newsletter is sent in compliance with e-mail bill section 301. Under
Bill S.1618 TITLE III passed by the
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considered SPAM as long as we include
the way for your e-mail address to be
removed, Paragraph (a)(c) of S.1618.
To
unsubscribe, please email
paulsaunders@estesvalley.net and
write UNSUBSCRIBE to CAC Newsletter in the subject line.
We don't guarantee accuracy of articles. Caveat
lector. Publication, product, and company names may be registered trademarks of
their companies or organizations.
Send
your ideas and copy for the next CAC Arts News to Editor paulsaunders@estesvalley.net - THANKS!
CAC ARTS NEWS No. 193
07/06/05
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Visit
the Web site <http://flesherhintonarts.org/> for issues of CAC Arts
News
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AND NOW THE ARTS NEWS AROUND THE COUNTRY AND WORLD:
THE FOLLOWING IS A HIGHLY EDITED LIST FROM ARTSJOURNAL:
Please
click on the URL under each heading for more of the articles that may interest
you.
"used
with permission of ArtsJournal."
Douglas
McLennan
Editor, ArtsJournal
www.artsjournal.com
For information about ArtsJournal, go to http://www.artsjournal.com/about/
Douglas
McLennan
Editor,
ArtsJournal
<mailto:mclennan@artsjournal.com>mclennan@artsjournal.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IDEAS
http://www.artsjournal.com/
The Language of Empire
Over the last half-century or so, English has risen to become the dominant
global language of the era, spoken as the default in everything from
international business transactions to air travel. But achieving a global reach
doesn't necessarily give a language long-term staying power, as the Assyrians
and the Silk Road traders found out centuries ago. Then again, some languages
are kept alive past their political and economic prime by a powerful religious
influence. Linguist Nicholas Ostler's new book delves into all of these
factors, and aims to sort out what gives a language its power, and what can
take that power away in a heartbeat. Chicago Tribune 07/06/05
Men And Women - Our Brains Are Physically Different "In the prime of life, the cerebral cortex
contains 25 billion neurons linked through 164 trillion synapses. Thoughts
thread through 7.4 million miles of dendrite fibers and 62,000 miles of axons
so compacted that the entire neural network is no larger than a coconut. No two
brains are identical, nor are two minds ever the same. Wherever researcher
Sandra Witelson looked, she discerned subtle patterns that only gender seemed
to explain. Her findings buttress the proposition that basic mental differences
between men and women stem in part from physical differences in the
brain."
Seattle Times (LAT) 07/03/05
(Well
there you are! My coconut is all I have and I cherish every inch of dendrite
fiber and whether it is male or female is beside the point. pbs)
Is LACMA Losing Its Artistic Soul? The Los Angeles County Museum of Art is certainly not the only
American museum to recognize the economic potential of blockbuster exhibitions
that come with massive corporate sponsorship, but Holly Myers worries about the
museum's soul, and wonders where all its curators have gone. "LACMA's
flirtation with corporate production is lamentable in relation to Tut. More
distressing, however, is the fact that many of the same problems also plague...
a comparatively low-profile exhibition that doesn't involve extraordinarily
precious artifacts and isn't likely to draw record-breaking crowds - suggesting
that LACMA's problem goes deeper than the necessary indulgence of an occasional
blockbuster."
Los Angeles Times 07/06/05
ARTS ISSUES
http://www.artsjournal.com/artsissues/
Scrapping For Every Dime In The Original Blue State Three year after absorbing a brutal 62% cut in
its state funding, the Massachusetts Cultural Council has made slight gains at
the legislature, receiving an additional $1.3 million in public funds for
fiscal 2006. The increase, signed into law by the state's Republican governor
last week, puts the council's overall budget at $9.6 million. Most of the
additional money is meant to restore grants that were eliminated in the wake of
the budget cuts in 2002. The governor had originally threatened to veto the increase,
but changed his mind under pressue from legislative leaders and the public. Boston Globe 07/06/05
Edinburgh Summer Fests Going Through The Roof Edinburgh's multiple summer festivals are doing
particularly well at the box office this year, with many upcoming events
already sold out. "Ticket sales for this year's International Festival are
14 per cent up on last year as theatre and dance fans snap up briefs for the
most sought-after productions." The book fest is selling at a record pace
as well, and the always-popular Fringe Festival is on a steady track as well.
Overall, it's a positive sign for the arts in Scotland, given the recent history
of government funding controversies and struggling companies. The Scotsman 07/06/05
Fortress America: Foreign Travel To The US Is Way Down "Planned federal passport and visa rules
and other measures intended to safeguard the nation are creating the perception
of a Fortress America overseas, tarnishing this country's reputation for
hospitality and personal freedom. As a consequence, visa applications from
foreign travelers have dropped by one-third from pre-Sept. 11 levels, and fewer
foreign students are applying to U.S. schools. Moreover, travel agents report
booking foreign travelers away from the United States, and airlines that serve
overseas hot spots say business is down on their routes to the United
States."
San Francisco Chronicle 07/03/05
(Gee,
do you think? Our daughter is US citizen and her husband British. Guess who
needs a visa to visit us? pbs)
Trying To Stay A Step Ahead of the Feds A new report from Independent Sector, "a
Washington, D.C.-based coalition of non-profits," takes a hard line on
executive compensation and other methods of pushing the financial envelope,
calling for government intervention in cases where non-profit and charitable
organizations are found to be abusing the rules that govern their tax-free
existence. Why would a group representing non-profits be so tough on its own
members? Maybe because the U.S. Senate is gearing up to pass new rules which
would be even tougher than those being proposed by Independent Sector. Chicago Tribune
06/30/05
Can Downloading Save Classical Music? Norman Lebrecht on the Supreme Court ruling
holding software companies liable for the illegal file-swapping: "The
music industry... can now stop penalising innocent teens in their bedrooms and
go for the geeks who make the stealing systems." On the huge demand for
free Beethoven downloads from BBC: "There is clearly a demand for more -
so much so that such commercial download sites as I-tunes and Napster have
linked up to the BBC's output and some have launched Beethoven promotions of
their own. There is a web buzz about Beethoven that could never have been
achieved by plastic and terrestrial means of communication." La Scena Musicale
06/29/05
MEDIA
http://www.artsjournal.com/media/
Uh-Oh - DVD Sales Are Slumping Too There are "small but troubling signs are emerging that the DVD
market's growth could be trailing off faster than Hollywood expected. On June
30, Pixar Animation Studios (PIXR ) cut its earnings-per-share estimate for the
second quarter to 10 cents from 15 cents, due to slower-than-expected DVD sales
of its blockbuster The Incredibles. The stock of Dreamworks Animation (DWA )
dropped sharply in mid-May, after the studio reported that returns of its own
blockbuster Shrek 2 left sales 5 million short of its forecasts. Major
retailers have noticed that DVD sales have been softer than anticipated
recently, too." BusinessWeek 07/01/05
Study: TV For Kids Under Three Is Bad "For each hour of television watched per
day before age 3, a child's reading comprehension and short-term memory scores
fell at age 6 and 7. But for older children, every hour of television led to
slightly better performance sounding out and pronouncing words. Since 1999, the
American Academy of Pediatrics has recommended no television for children 2 and
younger, including educational shows. For older children, the academy suggests
no more than one to two hours a day of "quality" television." Seattle
Post-Intelligencer 07/05/05
Rewrite! Mr. DeNiro Doesn't Like His Line! You're a big star and you don't like the line
you've been asked to say in a movie. What do you do? Call in your own
"personal writer". More and more stars are working with their own
writers on the set. "While these kind of personal writers may be
well-known inside Hollywood, they often toil in public obscurity. Don't shed
any tears, though. Even without screen credit, top rewrite artists can bank
more than $250,000 a week for script revisions and frequently can stay on a
movie for months at a time." Los Angeles Times 07/03/05
How The Internet Is Democratizing Art "Entertainment conglomerates and arts-grant
bureaucrats still hold the strings to attractively fat purses. But their power
is being tempered by the reach of the Internet and the resourcefulness of
creative minds paired with cheap, versatile tools." San Diego Union-Tribune
07/03/05
MUSIC
http://www.artsjournal.com/music/
No Red Ink In Dallas
The Dallas Symphony Orchestra has balanced its $23 million budget for the
second year in a row, bringing in $8.48 million for its annual fund drive and
boosting its endowment to $100 million. Dallas Morning News 07/06/05
Top Exec At BBC Scottish Calling It Quits It's an exciting time for the Glasgow-based BBC
Scottish Symphony Orchestra, which has just extended the contract of its
popular music director, Ilan Volkov, and will shortly move into its new
permanent home in the heart of the city's entertainment district. "By any
yardstick, then, there is everything to play for in the orchestra whose technical
ability and reputation has utterly transformed in the past decade and a
half." So why is the orchestra's longtime general director choosing this
moment to walk away? The Herald (Glasgow) 07/06/05
A Little-O Opera Revival In Montana A long-forgotten American opera based on
Blackfeet Indian legend has an unlikely revival in a struggling agricultural
town in northern Montana. "We have to overcome this stereotype that people
have developed over what we're calling this show. It's an opera, but I don't
ever say the O-word. I refer to it as the legend of Scarface told through
acting and singing and lighting." The New York Times 07/02/05
In Miami - Not Your Parents' Opera Florida Grand Opera has had its best couple of seasons ever at the
box office. A great deal of the credit has to go to the company's new marketing
campaign. "So much of the advertising over the years had become . . .
focused on the people who are going to be in the audience anyway. So we really
launched a campaign . . . of having real-life opera singers who are young and
sexy and look like people you'd like to approach at a party." Miami Herald 07/03/05
The Man Who Bought An Orchestra When the founder of the Queensland Pops Orchestra in Australia died
last year, the orchestra was put up for sale. Barrie Gott bought it. "What
Mr Gott gets for his money includes a substantial library of scores, about 650
titles, access to the core of professional musicians who come together for each
Pops concert, and the mailing list of avid listeners known as Friends of the
Pops."
The Courier-Mail (Australia) 07/04/05
The 90-Minute Magic Flute
Mozart's "Magic Flute" cut down and performed in English at the Met?
"Is the cut-down, 90-minute version a first step at commercializing the
Met? Some opera purists may think so. But the plan has merit. That even the
brightest children have limited attention spans is a given. A family version of
"The Magic Flute" at the Met would have to be done right, though.
Will the run be presented at family times (matinees and early evenings), and,
more important, at family prices? In principle, this is a good idea." The New York Times
07/04/05
At The Opera - The English Debate A debate rages at the English National Opera about whether using
supertitles is necessary for operas sung in English. Anthony Tommasini
appreciates the arguments on both side: "In my passions and my ideals, I
side with the purists about the threat titles represent to opera in English.
Having this crutch is bound to undermine the heritage slowly but steadily:
audiences will look to the screens rather than pay attention to the singers;
singers, knowing that audiences are relying on the projected texts, will cut
corners on diction so that they can linger on a luscious sustained tone. Yet
the pragmatist in me understands the frustrations of sitting through an opera
in English when you cannot make out the words. Nothing induces passivity, even
hostility, to opera more than that." The New York Times 07/03/05
DANCE
http://www.artsjournal.com/dance/
A Culture Of Social Change
What happens when you take social dance and put it onstage as choreographed
movement? Clearly the nature of the dance will change, but what about the
culture?
Danceview Times 07/05
Paris' New Dance Festival
Paris has a "new three-week festival, Les ƒtŽs de la Danse de Paris (Paris
Dance Summers), which will be inaugurated with three world premieres on Tuesday
by the San Francisco Ballet. Despite an intense interest in the art form, the
city has lacked a summer dance festival since 2001, when it withdrew its
underwriting. The Paris Opera Ballet shuts before Bastille Day and nothing in
dance happens after that for both tourists and the Paris public." The New York Times 07/03/05
The Busy Mr. Wheeldon
"Christopher Wheeldon has split a lot of pants lately. And if his
rehearsal antics aren't quite as outre as those of Mark Morris, no one in the
dance world would be surprised to learn that Wheeldon's demeanor is tilting in
that direction. Just as Morris emerged in the '80s as the savior of modern
dance, Wheeldon has, since 2000, been tagged as the great hope of classical
ballet. And he's busy." San Francisco Chronicle 07/01/05
Ballroom Dancing Gets New Fans Ballroom dance studios across the US are reporting a surge of
interest as a new film about kids dancing and the TV series "Dancing with
the Stars" attract audiences. "Two generations have missed ballroom
dancing; they haven't partner-danced. There's a resurgence now because people
see it and want to know how to look like that. When you do non-partner dancing,
you're both doing your own thing. Now people want to do the same thing." Christian Science
Monitor 07/01/05